“Well, conditions are quite harsh here. Our recommendation is all of our clients to invest all their resources into tinned provisions and hunting rifles.” That bit of sage advice comes from the Brain Gremlin – a lab-engineered, articulate, glasses-wearing member of the slimy Gremlin horde that swarms Manhattan’s super-smart Clamp Tower skyscraper in helmer Joe Dante’s madcap sequel Gremlins 2: The New Batch. At first glance, it’s simply an portfolio pointer from one monster to another. But, in a strange manner, it’s also remarkably sound life advice. Seriously, hear me out.
When situations deteriorate, the worst thing you can do is approach matters with excessive gravity. The Brain Gremlin understands this. In fact, most of the toothy monsters that inhabit Dante’s unrestrained 1990 movie (debateably his greatest) possess the same wry, meta sense of humour regarding the indistinct border separating the mundane and pure pandemonium. It’s a particular aspect of Gremlins 2: The New Batch that keeps me coming back – and as I age, it’s the underlying idea that strikes the deepest chord.
Understandably, my connection with this movie wasn’t born on such an deeply thoughtful note. As a child, we possessed merely a few scratched-up video tapes at home. Included within that collection were Gremlins and its second chapter, the latter housed in a chunky ex-rental box likely purchased from an non-chain rental store and sporting growling monsters on its tattered front. I was instantly captivated and these films quickly proceeded embedding themselves inside my small, malleable brain. From then on, they became an almost-daily part of my youthful watching schedule.
Dante’s original typically gets all the plaudits, thanks primarily due to its reputation as a partly frightening holiday classic – and let me be clear, I’ve watched Gremlins on countless occasions. However, its follow-up infrequently obtains the same level of high regard, which feels criminal. As a kid, I’d always seize the chance to watch Gremlins 2. During long summer holidays, I’d retreat into the house and pop it in. When I got my own TV-VHS combo unit, it continued playing looped in my bedroom. Over time, it etched itself permanently in my mindset. If my parents observed this fixation, they didn’t seem to mind.
As I got older, new insights enhanced repeat viewings, elevating the fun of watching small emerald creatures gleefully trash a New York high-rise. I learned the forward-thinking real estate tycoon and Clamp Tower owner, Daniel Clamp (John Glover), was modeled closely on future president Donald Trump, with his auburn-haired worker Marla (Haviland Morris) echoing his one-time partner Marla Maples. Fortunately, Clamp has more heart than his genuine article inspiration.
The “end of civilisation” video Clamp plays during peak-Gremlin chaos? I discovered it was modeled after a actual “Doomsday” video produced by the CNN boss Ted Turner as a contingency for the world truly faced apocalypse. I noticed how Dante made a special effort to film different iterations of a meta sequence where Gremlins seize control of the actual feature in progress. An edit for movie houses, another for home video and television, each providing a grinning portion of fourth-wall-breaking cultural alchemy ahead of its time.
While it was makeup maestro Rick Baker’s fantastically vile creatures that captured my attention as a child, this deeper gold held my interest as an adult. Eventually, I even spoke to Dante about it myself and he had no qualms telling me he made the movie with the direct intention of mocking those who loved its silly-yet-sincere predecessor and desired a sequel. “We were going to make fun of the fact you came to see it,” he happily revealed. This anarchic defiance and determination to not take his sequel as seriously as his Warner Bros bosses clearly wanted him to, only increased my affection for it.
When I experienced a sudden family bereavement not long ago, I was surprised to find that, during my most profound sorrow, all I felt compelled to do was sit and watch Gremlins 2: The New Batch. Strange, isn’t it? Perhaps not. The nostalgic calm it furnished was essential to weaken my mind’s grief morass – but the insights it had bestowed upon me as an adult were just as useful.
Like Gremlins rampaging through a genetics laboratory, there’s some things in life you just cannot manage. Dante understands this. The Brain Gremlin shares this wisdom. Sometimes, you have to emulate them: embrace the chaos, invest all your resources into canned food and shotguns and try not to approach life with excessive gravity.
It’s powerful existential guidance from a very unlikely source – and it’s why Gremlins 2: The New Batch will eternally stand as my go-to cinematic solace.